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overview

 

A modern artist with an impassioned eye toward the unification of contemporary art and sound, American saxophonist Nick Zoulek’s focus on collaboration, improvisation, and commissioning new works has led to a diverse portfolio of distinctive performances and artistic ventures. Working with a unique array of musicians and performers, including Wildspace Dance Company, multimedia musicians Netmoiré, and saxophonist Tommy Davis as part of Duo d’Entre-Deux, Nick’s craft has been lauded as “a delight”, and with the capacity to “[take] you to other worlds” (Milwaukee Magazine). Uniquely skilled as a bass saxophonist, the prowess and versatility Nick displays on the instrument has been praised as “[b]eautiful harmonies [singing] in contrast to mysterious knockings and hums, and finally to ungodly, soul-shattering blasts” (Shepherd Express). His forthcoming album, Rushing Past Willow (Spring 2016), fuses all of these facets of Nick’s work, and displays self-composed works for alto, tenor, and bass saxophone.

 

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Press

"...Mr. Zoulek’s performance, on saxophones in every range, is stunningly virtuosic, whatever the genre."

-The Wall Street Journal

 

"...a no-holds-barred engine of avant-garde exploration"

-The Portland Press Herald

 

"...a tour de force."
-Milwaukee Magazine

 

"...Rushing Past Willow pulls you into [a] swirling portal of disciplined arpeggiations packed with shifts and flourishes, bringing to mind the work of German synth pioneers like Cluster and early Tangerine Dream. However, Zoulek isn't triggering a synthesizer or twisting filter knobs-he's playing this stuff manually on a sax, which is insane for the amount of controlled dynamics he brings to the timbre, volume, and frequency spectrum."

-Tone Madison

 

"The beginning of “Leafless Against the Sky” is beautiful in its simplicity: the chemical interjects nature. The sound design warns of a plague. The chemical stains, and then grows. The tension builds and I am on the edge of my seat. There is so much frightening beauty in decay. Death by colour – the ending is visual poetry. The film is focused and measured and delivers exactly when it should. There is a superb sense of awareness towards rhythm. Hands down one of the best projects I’ve reviewed for this festival. The film is simple but kicks a punch – well done to the maker!"

-Break Big Film Festival

 

"...dark notes in the gathering twilight...the music stirred my bones."

-Shepherd Express

 

"...[performed] with sensitivity and wit."
-Third Coast Digest

"...a delight...[will] take you to other worlds."
-Milwaukee Magazine

"Beautiful harmonies sang in contrast to mysterious knockings and hums, and finally to ungodly, soul shattering blasts."
-Shepherd Express
 

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